transumption meaning in Hindi

Examples

1. This practice of transumption only amplified the spread the kuru within Fore communities.
2. Following the outbreak, the Australian government forbade and rigorously controlled the practice, and transumption ceased almost immediately.
3. Because of this and their primary role in transumption, they had a much higher mortality rate of kuru than men, which spurred a demographic emergency.
4. It is now widely believed that kuru transmission through transumption had ceased by the  60s, though it continued longer in the south than in the north.
5. Though the Fore people also dispose of their dead in other ways, the most common method up to the 1960s was transumption, or consumption of their dead.
6. Transumption not only expressed love and grief, but also recycled the deceased s abilities within the family and quarantined the " kwela ", which was dangerous if not disposed of properly.
7. Viewing spice as a cultural artifact that functioned " as discourse, not object, naively transparent to itself " during the Romantic period, he elucidates two general characteristics of the poetics of spice : materiality and transumption.
8. In contrast,'transumption', following Harold Bloom's deployment of the rhetorical concept, entails the use of a metasignifier that " serves as a figure for poetic language itself . " According to Morton, the works of John Dryden exemplify transumption, revealing " a novel kind of capitalist poetics, relying on the representation of the spice trade . . . Spice is not a balm, but an object of trade, a trope to be carried across boundaries, standing in for money : a metaphor about metaphor . " Carrying this idea forward to the Romantic era, Morton critiques the manner in which spice became a metaphor for exotic desire that, subsequently, encapsulated the self-reflexivity of modern processes of commodification.
9. In contrast,'transumption', following Harold Bloom's deployment of the rhetorical concept, entails the use of a metasignifier that " serves as a figure for poetic language itself . " According to Morton, the works of John Dryden exemplify transumption, revealing " a novel kind of capitalist poetics, relying on the representation of the spice trade . . . Spice is not a balm, but an object of trade, a trope to be carried across boundaries, standing in for money : a metaphor about metaphor . " Carrying this idea forward to the Romantic era, Morton critiques the manner in which spice became a metaphor for exotic desire that, subsequently, encapsulated the self-reflexivity of modern processes of commodification.