objective correlative in a sentence

Examples

1. The caesarian is repeatedly associated with words such as " the blanket " and " the bunk " in a series of objective correlatives, a technique Hemingway learned from T . S . Eliot.
2. Eliot concludes by stating that because Shakespeare cannot find a sufficient objective correlative for his hero, the audience is left without a means to understand an experience that Shakespeare himself does not seem to understand.
3. They are four characters in search of an objective correlative, their intimacies obstructed by lofty words-- honesty, cowardice, love-- that seem, after a while, to mean nothing at all.
4. Only this time the chug is given an " objective correlative " in the actual chug and clack of moving trains, evoked also by periodic whistles adjusted to the ever-modulating tonalities of the speech samples.
5. Washington Allston was the first to use ( apparently ) the term "'Objective Correlative "'in 1840 which subsequently revived and made famous by T . S Eliot in essay on Hamlet ( 1919 ).
6. The theory of the objective correlative as it relates to literature was largely developed through the writings of the poet and literary critic T . S . Eliot, who is associated with the literary group called the New Critics.
7. The only decorative word is'long-winged'( ), used to denote a dragonfly, and it emerges from the generalized meanings of the passage as an'objective correlative'for the fragility of the human condition.
8. Also important to New Criticism was the idea as articulated in Eliot's essay " Hamlet and His Problems "  of an " objective correlative ", which posits a connection among the words of the text and events, states of mind, and experiences.
9. In " Hamlet and His Problems " Eliot presents the phrase " objective correlative . " The theory is that the expression of emotion in art can be achieved by a specific, and almost formulaic, prescription of a set of objects, including events and situations.
10. The horrors of war are too easily rendered as Kantian sublimities for which the stateside mind can find no objective correlative; Levato suffuses us, instead, in the facts, figures, and bureaucratic speech out of which real-time horrors are in actuality composed.